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“Altered Image 35mm #6 Frame 12” (1981)
“Altered Image 35mm #6 Frame 12” (1981)
Christopher Makos
T Magazine New York Times
Released: May 4, 2019

That complexity is perhaps most apparent in four images near the gallery’s entrance that a casual observer might dismiss, unwisely, as outliers: These photos, taken over two days in 1981 by Christopher Makos, are of the artist himself in coifed wigs and full makeup. In one, Warhol has been rendered almost unrecognizable, with teased-up Stevie Nicks hair, drawn-on eyebrows and a flirty pose incorporating clasped hands. In another, he channels his most famous subject with an asymmetrical blond wig, a bent knee and arms crossed modestly over his crotch. Though rather than a billowing dress, he wears slim jeans, a white button-up and a plaid tie, as if, below the neck, he’s still Andy. Warhol was deeply fascinated by New York’s drag culture. As far back as the 1950s, he attended clandestine drag salons hosted by the photographer Otto Fenn and made drawings (some of them part of the Sperone Westwater show) based on Fenn’s images.

Still, Makos has said that’s not quite what these pictures are about. As Gingeras puts it,

“They’re more about undoing gender than performing drag,” adding,

“Warhol had an expansive definition of what a woman is.” “Warhol Women,” through June 15 at Lévy Gorvy, 909 Madison Avenue, New York, levygorvy.com — MERRELL HAMBLETON

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The performer Marta Miller rehearses “Lost Mountain” at her farmhouse, Certain Bird, in Stamford, Vt.
Matthew Placek


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Updated: May-4-2019
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